resource to ask questions, find answers, and discuss the novel. Additionally, Catherine had dark and volatile emotions and suffered from depression herself. The World Through Your Eyes: On Spike Jonze’s Her Senior Project submitted to The Division of Social Studies Of Bard College By Thatcher Snyder Annandale-on-Hudson, New York Acknowledgments Two years ago, when I began How do we experience Samantha’s climax, then? Was he being tasteful or is it because we are limited to Samantha’s perspective? Spike Jonze’s critically acclaimed 1999 film ‘Being John Malkovich’ explores postmodern ideas such …show more content… Jonze uses satire to emphasise this by allowing the main characters to behave without conscience. Theodore uses Samantha to connect to his surroundings. It feels to me as if the film is one massive confessional, on levels both macro and micro. Theodore carries his cell phone in his breast pocket throughout the entire film – camera facing the world. There is a return to the 1940s fashion scene with high-cut tweed pants, solid bright colours and thick but groomed moustaches – slightly hipster? At the beginning of their relationship, Samantha has a lot of insecurity about the fact that she doesn't have a body. Her movie reviews & Metacritic score: Set in the Los Angeles of the slight future, Her follows Theodore Twombly, a complex, soulful man who … One of the main themes of Her is loneliness and isolation. Therefore, Theodore becomes a montage of videos/images that Samantha sees/experiences the world through. When we think hard about the narrative perspective in Stranger Than Fiction, it belongs primarily to Karen Eiffel (Emma Thompson), the novelist, and not Harold Crick (Will Ferrell). Theodore becomes a limited equation – a book to be read and understood through Samantha’s eyes. City dwellers connect to his character because he walks everywhere, takes public transit (city life), and his wardrobe circulates throughout the film. Simple, yet effective. Though not exceptionally innovative, the film is exceptionally well-shot. Starring Joaquin Phoenix (Theodore Twombly), Scarlett Johansson (Samantha), and Amy Adams (Amy), Spike Jonze explores the possibilities (and functionalities/benefits/limitations) of a romantic relationship evolving between a man and an operating system on his computer/cellular device: better known as Samantha. Part of what was difficult about his relationship with Catherine was the fact that Theodore wasn't willing to open up. Though unable to touch in a conventional sense, we are touched by Samantha’s character even if we can’t see her. By continuing to focus on these memories and refusing to move forward, he isolates himself from other people, other couples, and the world around him. This is old news, but the way in which Jonze achieves this effect is new. He’s looking at something off camera, deep in thought. If human emotion is predictable, Jonze hyper-emphasizes this depressing thought by constantly calling attention to Theodore’s physical body and Samantha’s spiritual presence. We feel something through her voice – through our hearing capabilities. We know where he is and what he is doing and when he is doing things throughout the entire film. The main film that comes to my mind where I find this is also achieved is, Where we warm up to Samantha as a character - as if she had a physical being and essence - the name remains highly cold and uninviting. This theme manifests in the camera work, as Jonze chooses to shoot Theodore in shallow focus, with the world around him out of focus, when he is feeling isolated and lonely. The aesthetic is minimalist, trend setting, and believably futuristic – only in that little has changed in Spike Jonze’s world compared to the world as we know it presently. The film is simple. Barrett, spoke of the (loose) rules he, Jonze, and costume designer Casey Storm agreed upon before production: “When Spike and I worked on Where The Wild Things Are we banned green, then we slipped some in. Thus, a major theme in the film is that of the metaphysical realm: the immaterial, unseeable, and unknowable. Her was chosen the best film of 2013 at the National Board of Review; it earned a total of five Academic Awards. Experience, then, moves past the form of visual media and enters into the world of sounds, music, and verbal dialogues. How does this translate into our physical human world and our capabilities? “I thought this song could be a photograph that captures us in this moment of our lives” – Samantha (Johansson), “I can see you in it” – Theodore (Phoenix), http://www.youtube.com/watch?v=da-ELYFRFpc. Spike Jonze's new movie isn't just a vision of a possible future. Spike Jonze is good at cutting from Joaquin’s soliloquies and Samantha conversations to other people who are obsessively connected to their earpiece. In this sense, we can understand Jonze’s film through the eyes of Samantha. Copyright © 1999 - 2021 GradeSaver LLC. Samantha only exists in the clouds - something we as humans have a hard time picturing or even understanding. The Question and Answer section for Her is a great Set in the near future, Los Angeles, Theodore Twombly, an introverted, lonely, and depressed man due to his recent divorce This self-destructive behavior was also clearly operating in his relationship with Catherine. We see Theodore at the beginning of the film trying to come to grips with the fact that his marriage is over. This is the brilliance of Her. Her essays are academic essays for citation. We instagram photos to show the world what WE are doing. However, having moved through some of his intimacy issues with Samantha's help, Theodore is able to be resilient, to see the world differently, and to try and move on using his own volition. Theodore takes this to heart, and decides to pursue what makes him happy. So incredibly, unbelievably raw, like a fresh, open emotional wound being explored and worked through in the most artistic of ways. Connection with others is modeled by Theodore's connection with Samantha, and as they spend more and more time together, Theodore feels encouraged to connect with others in his life. But the third person omniscient perspective allows us to see into Harold’s life, and see his actions before Karen is aware of them. The last step is to sign the papers, but he has yet to do so and he has chosen to isolate himself from Ultimately, even though Samantha leaves, Theodore is able to take the feelings of connection that their relationship modeled, and use it to grow and evolve into a more emotionally open person. Relationships and Technology in the Modern World An Analysis of a Spike Jonze Film: Her By: Xiara Rodriguez Sept. 13, 2016 Her, a Spike Jonze film, explores real life issues between a man and an operating system. After Catherine mocks Theodore for being in a relationship with an operating system, he begins to have doubts and goes to Amy for advice. However, does this not make us even more isolated islands in our virtual worlds? It's because of this interpersonal connection that Theodore is able to take his eyes off the past and begin to see the world in front of him, going out to drinks with Amy, going on a double date with Paul and Tatiana, and generally marveling at the people he encounters in public. Her, c'est Samantha, Her, c'est votre ordinateur dont vous pouvez tomber amoureux dans ce conte de Spike Jonze... A la manière d’un Wes Anderson, Spike Jonze est un réalisateur qui aime nous raconter des histoires., Spike Jonze est un réalisateur qui aime nous raconter des histoires. One of the main themes of Her is loneliness and isolation. This is where I found Jonze’s film so compelling – I felt my own limitations more than I saw Samantha’s limitations as a software program. 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